Sundance Institute Announces Libby Hakaraia as the 2024 Merata Mita Fellow

PARK CITY, UTAH, January 22, 2024 — The nonprofit Sundance Institute has announced Libby Hakaraia (Ngati Kapu, Ngati Raukawa au ki te tonga) as the recipient of the 2024 Merata Mita Fellowship 

The Merata Mita Fellowship is an annual fellowship named in honour of the late Māori filmmaker MerataMita (1942–2010) to support Indigenous women-identified artists endeavoring to direct their first feature film. 

Libby Hakaraia is a dynamic Indigenous storyteller with over 30 years of experience in the screen industry as a director, writer, and producer. 

She currently has a slate of film projects in development, including her highly anticipated directorial debut feature film, TANIWHA, to be produced by Tainui Stephens (Whina – 2022, The Dead Lands – 2014) and Desray Armstrong (Bad Behaviour – 2023, Millie Lies Low – 2021, Juniper – 2021, Coming Home in the Dark – 2021). 

“It is an honor to receive this award. It comes at an exciting time for me and the projects I have been developing whilst building the Māoriland Film Festival over the past decade. Merata Mita was an inspirational storyteller who challenged Indigenous filmmakers to strive for excellence in their craft. She remains a motivating force for me and for so many others and hence why I am humbled to be the recipient of this year’s Merata Mita Fellowship,” said Libby Hakaraia. 

“With this support from the Sundance Institute, along with that of my mentors within the Indigenous filmmaking community, I intend to be bold and aim for new heights in storytelling. This fellowship will enable me to strengthen my skills, extend my networks, and grow my confidence — and prepare to helm a large-scale genre feature in 2024.”

Libby has a deep passion for storytelling and has worked on a wide range of projects, including current affairs, documentaries, entertainment series, and both short and long-form dramas. 

Her talent and dedication have been recognized worldwide, with her short films being screened internationally. Notably, she is a producer of two Māori feature films, Cousins (2021) and Kōkā (2023, currently in post-production). 

In 2014, Libby led the establishment of the Maoriland Film Festival in her tribal home of Ōtaki. Māoriland has  now grown into the largest annual Indigenous festival in the Southern Hemisphere. 

Libby’s commitment to fostering Indigenous talent led her to create a center of excellence in Māori Film and Creative Arts in 2016. This initiative has provided a platform for new Māori and Indigenous filmmakers to showcase their work, including the International NATIVE Slam, which has resulted in 21 films produced by 60 international filmmakers. 

Libby’s contributions and successes have not gone unnoticed. In 2018, she was honored with the Women in Film and Television Entrepreneur award, and her leadership and achievements were further recognized in 2023 when she received a New Zealand Order of Merit for her outstanding services to media and film. 

In 2023 Libby passed the leadership of Māoriland Film Festival to her niece Madeleine de Young who helped found the festival to become Head of Content at Māoriland Productions and to foster the next generation of Māori and Indigenous filmmakers. 

Merata Mita (Ngāi Te Rangi/Ngāti Pikiao) is known as the first Māori woman to solely write and direct a dramatic feature film. As an advisor and artistic director of the Sundance Institute Native Lab (2000–2009), she uplifted the voices and encouraged the creative development of countless Indigenous talents. 

To honor her legacy, Sundance Institute awards a fellowship in her name to an Indigenous woman-identified filmmaker from a global applicant pool. The fellowship, now in its ninth year, includes yearlong support with activities, including attendance at the Sundance Film Festival, access to strategic and creative services offered by Sundance Institute’s artist programs, a cash grant and mentorship opportunities. 

Libby was recognised along with the inaugural Graton fellow – Tazbah Rose Chavez.

“It feels incredibly meaningful to have Libby and Tazbah as the recipients for the Merata Mita and Graton Fellowships respectively this year. It’s also a bit of a spiritual homecoming too,” said Adam Piron, Director, Sundance Institute Indigenous Program. 

“Both are established artists with deep ties to their communities, the histories that these fellowships are rooted in, and we’re thrilled  to be  supporting their upcoming projects with these incredible opportunities and I’d also like to thank Chairman Greg Sarris, the community of the Federated Indians of Graton Rancheria, and our donors for making this possible”

The Native Forum Celebration honored the Sundance Institute Indigenous Program fellows, grantees, and alumni on Traditional Ute Nation Territory. The event featured an opening blessing by Bart Powakee and the Red Spirit Singers from the Ute Tribal Nation and remarks from Sundance Institute CEO Joana Vicente, Sundance Institute Board member Amy Redford, Nia Tero (represented by Tracy Rector), Jeanne Mau (NBCUniversal), and Indigenous Program Director Adam Piron (Kiowa and Mohawk). Piron also announced the five 2023 Native Lab fellows and acknowledged the seven Indigenous-made projects from around the world that are premiering at the 2024 Sundance Film Festival from January 18–28.

Encouraging self-determination in storytelling for Indigenous filmmakers and decolonizing the screen has been a goal at Sundance Institute since its inception. Native American filmmakers participated in the founding meetings of Sundance Institute and its first filmmaking lab in 1981. 

The Institute’s Feature Film Program, Documentary Film Program, and Sundance Film Festival conduct ongoing outreach to Indigenous artists and collaborate with the Indigenous Program to identify artists for support across the globe. 

Over the years, Sundance Institute has supported leading Indigenous filmmakers such as  Sterlin Harjo (Seminole/Muskogee), Taika Waititi (Te Whānau-ā-Apanui), Sky Hopinka (Ho-Chunk, Pechanga), Fox Maxy (Mesa Grande Band of Mission Indians and Payómkawichum), Erica Tremblay (Seneca/Cayuga/Wyandotte Nations), Adam and Zack Khalil (Ojibwe), Billy Luther (Diné/Hopi/LagunaPueblo), Andrew Okpeaha MacLean (Iñupiaq), Aurora Guerrero (Xicana), Sydney Freeland (Diné), Ciara Leinaʻala Lacy (Kanaka Maoli), Lyle Mitchell Corbine, Jr. (Bad River Band of the Lake Superior Tribe of Chippewa Indians), and Shaandiin Tome (Diné).

Sundance Institute’s Indigenous Program

The Sundance Institute Indigenous Program is supported by Federated Indians of Graton Rancheria, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation,The 11th Hour Project, a program of the Schmidt Family Foundation, NBCUniversal, Nia Tero, The Christensen Fund, WBD Access, Indigenous Screen Office, SAGindie, Indigenous Media Initiatives, Felix Culpa, and Sterlin Harjo.

The Sundance Film Festival®

The Sundance Film Festival, a program of the nonprofit Sundance Institute, is the preeminent gathering of original storytellers and audiences seeking new voices and fresh perspectives. Since 1985, hundreds of films launched at the Festival have gone on to gain critical acclaim and reach new audiences worldwide. The Festival has introduced some of the most groundbreaking films and episodic works of the past three decades, including Still: A Michael J. Fox Movie, Fair Play, A Thousand and One, Pretty Baby: Brooke Shields, Rye Lane, Navalny, Fire of Love, Flee, CODA, Passing, Summer of Soul (…Or, When the Revolution Could Not Be Televised), Minari, Clemency, Never Rarely Sometimes Always, Zola, O.J.: Made in America, On the Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Top of the Lake, Won’t You Be My Neighbor?, Hereditary, Call Me by Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs, and sex, lies, and videotape. The program consists of fiction and nonfiction features and short films, series and episodic content, innovative storytelling, and performances, as well as conversations and other events. The Festival takes place in person in Utah, as well as online, connecting audiences to bold new artists and films. The 2024 Festival will be held January 18–28, 2024. Be a part of the Festival at festival.sundance.org and follow the Festival on Facebook, Instagram, TikTok, X (formerly Twitter), and YouTube.

The Festival is a program of the nonprofit Sundance Institute. To date 2024 Festival sponsors include: Presenting Sponsors – Acura, AMC+, Chase Sapphire®, Adobe; Leadership Sponsors – Audible, DIRECTV, Hulu, Ketel One Vodka, Omnicom Group, Shutterstock, United Airlines; Sustaining Sponsors – Canon U.S.A., Inc., Cotopaxi, DoorDash, Dropbox, Element[AL] Wines, World of Hyatt®, IMDb, MACRO, Rabbit Hole Bourbon & Rye, University of Utah Health, White Claw Hard Seltzer; Media Sponsors – Deadline Hollywood, IndieWire, Los Angeles Times, The New York Times, NPR, Variety, Vulture. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute’s year-round programs for independent artists. Please visit festival.sundance.org for more. 

Sundance Institute

As a champion and curator of independent stories, the nonprofit Sundance Institute provides and preserves the space for artists across storytelling media to create and thrive. Founded in 1981 by Robert Redford, the Institute’s signature labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. Sundance Collab, a digital community platform, brings a global cohort of working artists together to learn from Sundance advisors and connect with each other in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Through the Sundance Institute artist programs, we have supported such projects as Beasts of the Southern Wild, The Big Sick, Bottle Rocket, Boys Don’t Cry, Boys State, Call Me by Your Name, Clemency, CODA, Drunktown’s Finest, The Farewell, Fire of Love, Flee, The Forty-Year-Old Version, Fruitvale Station, Get Out, Half Nelson, Hedwig and the Angry Inch, Hereditary, Honeyland, The Infiltrators, The Last Black Man in San Francisco, Little Woods, Love & Basketball, Me and You and Everyone We Know, Mudbound, Nanny, Navalny, O.J.: Made in America, One Child Nation, Pariah, Raising Victor Vargas, Requiem for a Dream, Reservoir Dogs, RBG, Sin Nombre, Sorry to Bother You, The Souvenir, Strong Island, Summer of Soul (…Or, When the Revolution Could Not Be Televised), Swiss Army Man, Sydney, A Thousand and One, Top of the Lake, Walking and Talking, Won’t You Be My Neighbor?, and Zola. Through year-round artist programs, the Institute also nurtured the early careers of such artists as Paul Thomas Anderson, Wes Anderson, Gregg Araki, Darren Aronofsky, Lisa Cholodenko, Ryan Coogler, Nia DaCosta, The Daniels, David Gordon Green, Miranda July, James Mangold, John Cameron Mitchell, Kimberly Peirce, Boots Riley, Ira Sachs, Quentin Tarantino, Taika Waititi, Lulu Wang, and Chloé Zhao. Support Sundance Institute in our commitment to uplifting bold artists and powerful storytelling globally by making a donation at sundance.org/donate. Join Sundance Institute on Facebook, Instagram, TikTok, X (formerly Twitter), and YouTube.

Māoriland Productions

Māoriland Productions aims for Indigenous creative excellence in screen storytelling to inspire the next generation of Māori & Indigenous storytellers. Helmed by Head of Content, Libby Hakaraia, Māoriland Productions is based from the Māoriland Hub in Ōtaki, Aotearoa – a centre of excellence for Māori & Indigenous in film and all forms of artistic expression. Māoriland Productions is owned and operated through the Māoriland Charitable Trust, established in 2016 to continue and extend the operations of the Māoriland Film Festival – the world’s largest international Indigenous film festival. Delivering a range of activiites year-round, the Māoriland Charitable Trust (MCT) is committed to creating social, cultural and economic opportunities for our community of Ōtaki and for filmmakers and artists.

MEDIA CONTACTS: 

Sundance

Tammie Rosen, [email protected]; Tiffany Duersch, [email protected]; Sylvy Fernández, [email protected]; Sarah Faruqui, [email protected]  

Māoriland

Adam Warin, [email protected]